For example, consider C♭9 versus C(♭9) versus C7(♭9). The Deceptive Cadence with ♭\(\left.\text\right.\)”) with a minor seventh from the root to the seventh(“7”), not a C major triad with a major 7th.Ĭhromatically altered chord numbers (affecting 6, 9, 11, 13) are usually set apart by parentheses so as to clearly designate whether the minus, plus, or sharp, or flat is affecting the chord or the added note.Harmonization of Borrowed Scale Degrees.Secondary Diminished Chords in Major and Minor.Irregular Resolutions of Secondary Chords.The Subtonic VII Chord in Popular Music.Exceptions Created by Harmonic Sequences.
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